Note: When new interviews go live, this compendium will also be updated.
The Interviews
Posts on Metroidvania
In the past, my academic/postgraduate work has thoroughly examined the Metroidvania ludonarrative (including speedruns) as a closed/parallel ergodic space; while my critical voice has changed considerably since 2018, I want to show the evolution of my work/gender identity leading into Sex Positivity's genesis by listing my entire Metroidvania corpus (not including my entire book volumes, but citing some salient essays from those books):
- my master's thesis, which studies the ways in which speedrunners create castle-narrative through recursive motion inside the Metroidvania as a Gothic chronotope: "Lost in Necropolis: The Continuation of Castle-Narrative beyond the Novel or Cinema, and into Metroidvania" (2018)
- a YouTube video summarizing Metroidvania and its spatial qualities (sort of a precursor to the 2021 "Mazes and Labyrinths" abstract): "Metroidvania Series #2: Mazes and Labyrinths" (accompanied by its original script, on Google Docs; both 2019)
- a BDSM reflection on ludo-Gothic themes in Metroid: "Revisiting My Masters' Thesis on Metroidvania—Our Ludic Masters: The Dominating Game Space" (2021)
- a deeper follow-up to "Our Ludic Masters": "Why I Submit: A Subby Gothicist's Attitudes on Metroidvania, Mommy Doms, and Sexual Persecution" (2021)
- a study of abjection and traditional gender theory vis-Ã -vis Barbara Creed in Metroidvania: "War Vaginas: Phallic Women, Vaginal Spaces and Archaic Mothers in Metroid" (2021)
- a Q&A interview series that interviews Metroid speedrunners about Metroidvania for my postgrad work: the abstract for "Mazes and Labyrinths: Disempowerment in Metroidvania and Survival Horror" (2021)
- a chapter I wrote about Metroid for an unfinished book: "The Promethean Quest and James Cameron's Military Optimism in Metroid" (2021)
- a chapter on Metroidvania from my PhD, aka Volume Zero of Sex Positivity (2023), which details extensively my history with Metroidvania from childhood to my graduate and postgraduate work: "'Make it gay,' part two: Camping Tolkien's Refrain using Metroidvania, or the Map is a Lie: the Quest for Power inside Cameron's Closed Space (and other shooters)" (2023)
- an essay from Volume Two, part one, which conceptualizes the middle class' constant inheritance and exploring of the imaginary past through a privileged "savior" position, but one that can develop ludo-Gothic BDSM as a sex positive force; features Samus Aran as a "white Indian": "'In Search of the Secret Spell': Digging Our Own Graves; or, Playing with Dead Things (the Imaginary Past) as Verboten and Carte-Blanche (feat. Samus Aran)" (2024)
- an essay from Volume Two, part one, which critiques Jeremy Parish as a Metroidvania research inspiration of mine: "Monsters, Magic and Myth": Modularity and Class (feat. Jeremy Parish and Sorcha NÃ Fhlainn)" (2024)
- an essay from Volume Two, part one, which reflects on how the Gothic is queer as realized through my Metroidvania work and beyond: "Facing Death: What I Learned Mastering Metroidvania, thus the Abject '90s" (2024)
- a three-part book chapter* on Metroidvania from Volume Two, part two, which covers Frankenstein (aka The Modern Prometheus) and talks extensively about the Promethean Quest as it appears in popular media after Shelley's novel—Metroidvania, of course (with close-reads of Hollow Knight and Axiom Verge), but also movies like Forbidden Planet and Alien: "'She Fucks Back'; or, Revisiting The Modern Prometheus through Astronoetics: the Man of Reason and Cartesian Hubris versus the Womb of Nature in Metroidvania" (2024).
*Said chapter combines my PhD research after writing my PhD, making "She Fucks Back" a culmination of my life's work on the subject; I'm very proud of it!
Last but not least, I wanted to share my favorite essay about Metroidvania. Already the culmination of my life's work, I wanted to cap off my magnum opus [re: "She Fucks Back"] with a fun little announcement, letting you all know the last part of that chapter is now on my website: "Sleeping Beauties: Policing the Whore; or, Topping from Below to Rise from the Ashes" (2024)!
(source: Materia Collective)
Normally it'd just be another post in my book sample series for Volume Two, part two, "Searching for Secrets" (2024). However, "Sleeping Beauties" is extra special because it's the capstone to my Metroidvania work after my PhD and what I esteem to be my crowning achievement; i.e., I write about rape play a great deal, talking about it outside of Metroidvania all the time (e.g., "Into the Toy Chest, part zero: A Note about Rape/Rape Play; or, Facing the Great Destroyer," 2024), but "Beauties" complements that work by marrying it to one of my favorite games, Hollow Knight, and its secret final boss, the Radiance! There's just so much fun academic stuff to unpack (e.g., Manuel Aguirre, Michel Foucault and Mikhail Bakhtin, to name a few)—with me doing so in a way that's hopefully more accessible, sexy and fun than those authors to read!
To summarize the piece, itself, my website describes it as, "Articulates Aguirre and Bakhtin's ideas per my evolution of ludo-Gothic BDSM after my master's thesis and into my graduate work, then considers the Promethean Quest as something that presents the whore as normally hunted by police forces, only to escape their subjugation and imprisonment by acting out her own rape; i.e., as Hollow Knight's final boss, the Radiance, does" (source). In short, girl's a freak, but camps her abuse at the hero's hands to say something not just about the Pale King, but Capitalism, too, and why it sucks. Maybe in reading "Beauties," you'll change how you view not just the game and its approach to sexual violence in Gothic forms, but also the world at large...
In any event, it's a huge relief to have "Beauties" out there, and I'm very proud of it. Give it a look and let me know what you think!
I'm an artist and a writer. If you're interested my work and are curious about illustrated or written commissions, please refer to my website for more information. If you want to contact me about a guest article, please use this contact form or reach out to me on Discord (vanderWaardart#5394)!
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