Since the release of Scott's Alien: Covenant (2017), details on a new Alien project have been limited. Recently, however, there’s been something of an Alien renaissance: a now-famous high school play, and six Alien shorts produced by Tongal in conjunction with Fox. While all of them are enjoyable, and nicely varied in terms of technique and style, “Alien: Ore” (2019) is the best of the lot. Well-rounded and technically superb, it captures Alien (1979) from every angle; the acting, writing, editing, photography and special effects are all top-shelf.
The purpose of this ongoing series is to cover "Alien: Ore" from every possible angle, interviewing the cast and crew...


Tara Pratt, part 2: Tara goes further in-depth on bringing the character Hanks to life—how Hanks feels about dogs, if she can feel emotions, and why androids why her are so fascinating in horror and science fiction.
Tara Pratt, part 3: Tara relays her experiences on set, discusses the ending and talks sequel potential.

Steven Stiller, part 2: I ask Steven most about getting the role, being on set, the ending and his closing thoughts.

Making "Alien: Ore," part one: This portion covers entering the contest, pre-production, and production.
Making "Alien: Ore," part two: This portion covers production, post-production, and Kailey and Sam Spear's final thoughts (and possible sequel ideas).
On Shakespeare: I ask Kailey and Sam their favorite lines by the Bard; I cover their plans for a future, movie adaptation of Hamlet (with a female version of the character, not simply an actress): I ask them how Shakespeare (and other playwrights) influenced Kailey and Sam when making "Alien: Ore."
The Special Effects Crew
This interview is Dallas Harvey, founder of Vancouver FX, the company that handled the practical effects seen in "Alien: Ore":
Vancouver FX, part one: I introduce Dallas Harvey and Vancouver FX. We discuss his favorite monsters, movies and special effects; and the current state of special effects in the movie industry.
Vancouver FX, part two: Dallas talks more about current special effects; he also tells me about getting the role for "Alien: Ore," its effects, being on set, the ending to the movie and his closing thoughts.
These interviews are with Rose Hastreiter and Gerry Plant, the composers from Leonty Music Group, which wrote and performed the film's original score:
Leonty Music, part one: This portion introduces Rose, Gerry and their company. They explain their composition process and their inspirations.
Leonty Music, part two: Rose and Gerry talk being hired and their work process with Kailey and Sam Spear. They also discuss their work schedule while preparing the score, and actually mixing the final product.
Leonty Music, part three: I ask Rose and Gerry more about recording and its end result. Kailey and Sam return to give their thoughts about Leonty Music's excellent work!
***
Persephone van der Waard is the author of the multi-volume, non-profit book series, Sex Positivity—its art director, sole invigilator, illustrator and primary editor (the other co-writer/co-editor being Bay Ryan). Persephone has her independent PhD in Gothic poetics and ludo-Gothic BDSM (focusing on partially on Metroidvania), and is a MtF trans woman, anti-fascist, atheist/Satanist, poly/pan kinkster, erotic artist/pornographer and anarcho-Communist with two partners. Including multiple playmates/friends and collaborators, Persephone and her many muses work/play together on Sex Positivity and on her artwork at large as a sex-positive force. That being said, she still occasionally writes reviews, Gothic analyses, and interviews for fun on her old blog (and makes YouTube videos talking about politics). To learn more about Persephone's academic/activist work and larger portfolio, go to her About the Author page. To purchase illustrated or written material from Persephone (thus support the work she does), please refer to her commissions page for more information. Any money Persephone earns through commissions goes towards helping sex workers through the Sex Positivity project; i.e., by paying costs and funding shoots, therefore raising awareness. Likewise, Persephone accepts donations for the project, which you can send directly to her PayPal, Ko-Fi, Patreon or CashApp. Every bit helps!
Comments
Post a Comment